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魔鬼的陷阱

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分类:劇情片 其它 1962

主演:Vítezslav Vejrazka 米羅斯拉夫· 

导演:法蘭提塞·維拉席 

剧情简介

《魔鬼的陷阱》是由知名导演法蘭提塞·維拉席 执导的一部劇情片,Vítezslav Vejrazka 米羅斯拉夫· 等倾情出演,该片讲述了:  In  the time of Counter-Reform ation, a mille r and his son come under invest igation by a priest of the Inquisition, when   rumors s pread tha t their prosperity comes f rom wo rking with the Devil.  The Dev il's T rap is a film directed  by Františe k Vlá?il, based on a no  vel by Alfréd Technik , adapted by Fra ntiše  k A. Dvorák and Miloš  Kratoc hvíl. It was the firs t of  three h istorical dramas that  Vlá?il made during  the Czech New Wave (technically he isn';t really  a part of the New Wave, howe ver these films  were  made d uring the same era of artistic freedom), preceding his more well known   Marketa Laz arová (1967) and Valley of the Bees (1968).   Set in the late 16  th C entury d uring the  Catholic Refor mation, in  the Morav ian Ka rst, si  tuated in what is now the Ea stern Czech Republic, it tells  the tale of  a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who c ome under suspicion  and are investigated by a Jesuit pries t of t he Inquisition (Miroslav Macháchek), wh en r umors of  witc hcraft are sp read by   the local regent (C estmír Rand a), who is jealou s of  the  miller's  prosperity and degree of respect among the local popul ace.  As ex pect ed from Vlá?  il, this film is a stunning e  xperience a ll the way t hrou gh. From the opening shot, an  ominous  manipulation o f perspectiv e with a close up of a mangled figure of   Chris t dominating the  foreg round against a tiny figure in b lack walking along the hori  zon, to the breath taking co nfrontational final e inside the vast stalactite fill ed Karst caverns, it is a wonderful display of visual mastery.  Maybe n ot quite a s impr essive as Marketa L azarová, but st ill full of astonishing  imagery. As seen from uniq  ue angles  and dist inct points o f view  which highlight the director's rem arkable sense of aware ness of fr aming, motion,  and positioning on the emotional and drama tic tone  of the sce ne. The most memorable being a repeated shot where t he cam era is suspended and laun  ched with speed through t he air towards the miller 's door.  The story here is a simple one  and I  would say more  accessible tha n his later works. With a conventional structure emphasiz ed as  much  by its pl ot and c haracters,  than by its expressioni stic ci nematograph  y or auth entic  historical  detail. Th e events pl ay out without m uch surprise,    and there is a strong  underlyin g, almost superna tural,  mysterious a  spect th at is left unresolved,  in fact barely expl ored, which is  slightly disappointing, but only because it& #39;s so fas cinating  that  I wi sh there was more.   Acting i  s great all aro und. Particularly the v illains: Miroslav Mach áchek as the  priest, casting a  siniste r and i mposing shadow  wherever  he goes,   and Cestmír Randa as t he wease  l like regent behi nd all the persecution. While Vít Olmer  brings a charismatic leading  man presen ce in  his role as the miller 9;s son Ja n, in l ove with the lovely orphan girl Martina (  Karla Chadimov  á), wh o becomes a danger ous obj ect of riva lry between Jan and oth er young men of the village.   The film also  features t he evocative mus  ic of Zden?k  Liška (perhaps the mo st pr  olific composer  of the Czec  h New  Wave). In this his sec  ond of e leven collab orations with Vlá?il, his composi  tions are u sed sparingly,  but to grea t effect, co mplimenting but never overpowerin  g a s  cene. The  best exampl e of whic h ca  n be heard in an amazingly shot celebration   and dance  sequenc e at the end of  the second act.   The Devil' s Trap might not be a masterpiece, but it   is still a strong effort, wit h a fascinating straightforward story  and a glo rious his tori  cal setting captu red beautif ully by Vlá? il's unmistakable visual  prow ess. A fine work that woul d also be the p erfect starter  plate to prepare yourself for the challenging feast o f Marketa Lazar ová  or The Va lley of the Be es. It even has an easy to d  igest running time . It's therefor e puzzling why this gem remains lar gely ov erlooked and ignored.  宁知意点头,“他现在每次来,都是从这里进。”说  到这里,她想到什么,现场给她复制  了一枚玉简 ,“陆望老祖参与了仙上楼三百  六十八家的禁制改造,他在各店都弄了一个随机传送阵,你记住各店传送阵的位置,以后出门遇到 危险,寻就近的仙上楼 ,百里内随时可 定位传送

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