《德拉克的回歸》是由知名导演愛德華·格萊納 执导的一部劇情片，拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗娅·瓦 等倾情出演，该片讲述了： 與Stefan Uher和Elo Havatta一樣 ，Eduard Gre cner也是60年代斯洛 伐克新浪潮電 影的締造者之 一。他的三部影片《一周七天》（1964）《尼絨月亮》（1965）和這部《徳拉克的回歸》都是 斯洛伐克新浪潮電影的代表 作。這部 敘事方法獨特帶有明顯意識流風格的黑白影片甚至 間接影響到了後來法國 導演格裏耶在捷克拍攝的兩部影片《說謊的人 》和《Eden and After》。 A s pecial pl ace in the develop ment of featur e film s is reserve d for Eduard Grecn er, the creator of just on e good fi lm, Dragon Returns (Drak sa vraci a, 19 67), titled afte r the nickname of th e lead ch aract er. After hi s initial work with Uh er, G recner made his mark as a propon ent of the so-call ed "intellectual " film, the antithesi s of the socio logically, or rather, socially cri tical film. Grecner9;s grea t role m odel w as Al an Resna is, a young Fren ch filmmaker who sought to introduce Slov akia to the id ea of film as a labyrinth in which meaning s are created no t by stories, but by complex configurat ions of di alogue, sho ts, and various layers of time, thus differe ntiating film from both lit erature and t heater. In Drag on Return s―the story of a solit ary hero who is needed by villagers l iving far in the m ountains, but who is re jected by t hem at the same time because of his det achment―Grecner brough t the tradition of lyricized prose to life throug h a whole series o f formal aesthetic techniques. Alai n Robbe-Grillet immedi ately de veloped this idea in the film shot in Bratislava The Man Who Lies (Slovak: Mu z, kto ry luze; Fre nch title: L'homme qui ment; 19 68), and perfect ed i t in Ede n and Afte r (Eden a potom, 19 70). 她朝两边的贵宾 席和下面的看台， 团团一揖，“佐蒙人 是肯定要杀我的，他们 善用渗透之法，所以，林蹊在此恳请诸位前辈，诸位道友 ，看在我也算为仙界 立过一点功劳的份 上，一起监督一下，在我未晋天仙之前 ，不要让任何人，以任何理由，打断 我在刑堂的工作。
