《德拉克的回歸》是由知名导演愛德華·格萊納 执导的一部劇情片，拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗娅·瓦 等倾情出演，该片讲述了： 與Stefan Uher和Elo Havat ta一樣，E duard Grecne r也是60年代斯洛伐克新浪潮電影的締造者之 一。他的三部影片《一 周七天》（1 964）《 尼絨月亮》（1965）和這部《徳拉克的回歸》都是斯洛伐克 新浪潮電影的代表作。這部敘事方法獨特帶有明顯意識流風格的黑白影片甚至間接影響到了後來法國導演格裏耶在捷克拍攝的兩部影片 《說謊的人》和《Eden and Afte r》。 A special place in the devel opment of feature f ilms is reserved for E duard Grec ner, the creator of just one good film, Dragon Returns (Drak s a vra cia, 1967), titled after the nickname of th e lead character. After his initial work with Uher, Grecner made his mark as a propon ent o f the so- calle d "intellectual&q uot; fil m, the anti thesis of the soci ologicall y, or rather, soci ally critical film. Grecn er's g reat role model was Alan Resn ais, a young French filmmaker who sought t o introduce Slovakia to the idea of film as a labyrinth in which meanings are crea ted not by stories, but by complex co nfigurations of dialogue, sh ots, and v arious lay ers of time, th us differen tiating film fro m both li terature and theater . In Drag on Returns―the story of a solitary hero who is needed by villagers l iving far in the moun tains, but who is rejected by th em at the same time because of his det achmen t―Grecner brou ght the trad ition of lyricized pro se to life through a whol e serie s of formal aest hetic techniques. Ala in Robbe-G rillet immed iately developed this i dea in the film sho t in Bra tislava The Man Who Li es (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1 968), a nd perf ected it in Eden and After (Eden a potom, 1 970).< /p> 她朝两边的贵宾席和 下面的看台，团团 一揖，“佐蒙人是肯定要杀我的，他们善用渗透之法 ，所以，林蹊在此恳请诸位 前辈，诸位道友，看在我也 算为仙界立过一点功劳的份上，一起监督一 下，在我未晋天仙之前，不要让任何人，以任何 理由，打断我 在刑堂的工作。
