《極度恐慌1983》是由知名导演Jacinto Molina 执导的一部恐怖片，Paul Naschy Julia Saly Lo 等倾情出演，该片讲述了：　　PANIC BE ATS begins with a t otally nude woma n with welts on h er body,  running through a misty forest full of decayed skeletons . A knight  on horseback is cha sing he  r, and we soon learn that he is Ala ric de Marnac (a w icked character Nasc hy first cre ated for HO  RROR RISES FROM THE TOMB), v iciously killing her for her unfaithful ways.   After the credits role, we ar e taken to t he presen t where a descen  dent of Marnac named Paul (Naschy) is marr ied to the wealthy Genev iève (Julia  Saly ) was has some serious heart pro blems. Paul deci des to take her to his  ancestral home i n the count ry for some  peace and quiet, but the superstiti ous-filled  setting opens a Pandora’s Box of terrible occu rrences.　　We soon  disc over that Paul i s a real son-of-a-b itch who plans to scare his wife to death, planning to control her fortune and continue his s ecret a ffair with sed uctive bad  girl Mireille (Silvia Miró ), who happ ens to be the niece   of the tarot  card-reading housekeeper, Mabile (Lola  Gaos). Paul ’s malevolent scheme works,  but he still has to worry  about an additi onal money-hungry mistress  (this guy really gets arou nd!), the  unforgiving Mabile, a s well as new fianceé Mi reille who might be h iding a t hing o r two hers elf. More grisl  y murders follow, and t  he ghost o  f Marnac  returns  from hell to punish the most despicable  human character in the film.　　PANIC BEATS   was also written  by Naschy (under his real name Ja cinto Molina)  who injects the film with a n old-fashioned spooky house motif , beefe  d up with a modern movi e sense of violence and s exuality. The film offers nothing too innovative storywise, an d even N asch y admits on the dis c’s ext  ras that it was partly inspired by GAS  LIGHT and  REBECCA, but he  seems to jus t toss in a  hodgepodg e of exploitatio n and h orror ingr edients, whi  le delivering a styli sh and e njoya ble effort  with a nu mber of  twists and some genuinely  chilling moments. The came ra shots and lighting are  both effective, and the re's even doe s a coo l set-up ( much  like what Fredd ie Francis d  id in THE SKULL an d THE CREEPING FLES  H) where we see the point  of view of Marnac through   his dark helmet as he st alks his female p rey.  Graphically, we are exposed to everyt hing from a plate of b  loody e yeballs, to victims being beaten relentlessly with th e variou s Medieval  weapons affixed   on the house’s w alls (for example, someone is axed in  the stomach, followed by the soaked e ntra ils oozing out  !). Nasch y’s most frequent 1980s leadi  ng lady, Ju  lia Saly, is not given much to do, b  ut with her offbeat looks, is a nice presence nonetheless. The prominent female st ar here  is Sil via Miró who is seen  in the buff frequently, and sh e certainly makes for so me well-appreciated Euro s  tarlet eye candy . Naschy hi mself is very good in the fi lm, putting on conniv ing facad es, carrying a num ber of women  on a str ing, being a  real malic ious bastard, and for  the umpteen th ti  me in hi s career, p laying t wo ro les in a one fi lm.　 　h ttp://www.dv   ddrive-in.co m/revie ws/n- s/pa nicbeats8 283.htm　　想到那个神出鬼没的  东西，印颜的心又剧烈 跳动起来，“本来 ，昌长老感觉能按住那条大尾巴，可是，不知怎的，它突 然又厉害起来，然后，那 小冥兽，好像鬼魅 一般，借着地利，连 着抹了西才他们  的脖子，昌长老没办法，才完全放开