《不安分的年輕人們》是由知名导演馬塞爾·卡爾內 执导的一部劇情片，帕斯卡爾·普缇 安德麗·帕裏西 雅克·夏裏爾 洛朗 等倾情出演，该片讲述了：　　Middl  e class stud ent Bob Letellier enters a new world when he meets Alain, a  free-thinki ng r ebel who, along with his group of young Parisians, has opted  for a life of instant gratificati  on inste ad of  work and c ommitment. At a pa rty, Bob meets a young wom an, Mic, who appears to be just as carefree an d cynical   as Alain.  Mic's only dre am is to o wn a luxury car,  and with Bob's help, she manages to find the money to but  it. Mic9;s friend  Clo disc overs she is pregnant and, not  knowing who the fathe r is, she asks Bob t o marry  her. When they next meet at a  party, B ob and Mic  deny that they have any feelings for one a nother -  a declaration that soon leads to traged y...　　　 　Marcel Carné is widely regarded as one of the st andard  bearers o f Fr ench quality ci nema of the  1930s and 1940s, respon sible for such masterpiec es as Quai des brumes (193  8) and Les Enfants du Paradi  s (1945). How ironic   then  that, in 1958, towards the end of his film-making career, he should make a film which  dared to portray the atti tudes and behav iour of the 1950s yo uth, in a way that effectively ca ptures th e mood and s entiment of the time.　　　　Les Tricheurs was a hugely contro versial film, not least beca use of its blatant depic  tion of adolescent free -love, and wa s even banned in some regions of F rance. It also r eceived some intensel  y unfavourable revi  ews, most notably fr om the young h otheads on the Cahiers du cinéma su ch as Fr ançois Truffaut w ho cited this film a  s a prime  example of the decline of French cin  ema in to mediocrity. In spite of all this negative press,   the film proved to be an ast onishing commercial success, attr acti  ng five mill  ion cinema-goer s, and wa s awarded the Gran d Prix du Cinéma français in  1958.　　　　Wh ilst L es Tricheurs is not as flawless as Carné' ;s earlier masterp ieces , it is nonetheless a significa nt work, having  the p ower  to both shock and  move i  ts aud ience, wh ilst having  great entertainment value. It evo  kes the  mood of its ti me in a way that f ew French fil ms of this period did, de picting  young peo ple as  pleas ure-seekin g rebels, reject ing the  austerity and dis cipline of t he previous generatio n whilst pursuing a life without cares, responsi bilit ies or love. Simil aritie  s with James Dean' ;s films of the 195 0s (most notably Rebel without a Cause) ar e apparent, althoug h Ca rné's treatm ent of yo ung people is  far more abs trac t - in his film  they merely symbolise a world tha t has lost  its way, more or  less vic  tims o f po st-war prosperity. Altho  ugh the you  ng people i n Les Trich eurs lac k the  authenticity to be totally credible,  the fi lm does make an important, and  indeed q uite distu  rbing point, about where the permissive socie ty may   be heading.　　　　Much of the pl easu re of th e film  is i n the perf ormances fro  m its  four le ad actors, Jac ques Charrier, Pascal e Pe tit, Laure nt Terzieff  and Andréa Parisy, alth  ough only T erzieff i  s really conv incing in his role. M arcel Carné  originally con sidered Alain Delon and  Jean-Paul B elmondo for th e parts of Bob and Ala  in respectively, befor e opting for Ch arrier and Terzieff . As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for  the actor to be noticed by the public. Belmondo 9;s br eakthrough had to wait unt il the fol lowing year when he starred in Jean-Luc God ard's revo lutionary A bout de  souffle, a film which  offers a very di fferent perspecti ve of  the youth generation.　　宁知意点头，“他现在每次来，都是从 这里进。”说到这里  ，她想到 什么，现场给 她复制了 一枚玉简，“陆望老祖参 与了仙上楼三百六十八家的 禁制改造，他在各店都弄了一个随机传送阵，你记 住各店传送阵的位 置，以后出门遇 到危险，寻就近的 仙上楼，百里内  随时可定位传送。”