《不安分的年輕人們》是由知名导演馬塞爾·卡爾內 执导的一部劇情片，帕斯卡爾·普缇 安德麗·帕裏西 雅克·夏裏爾 洛朗 等倾情出演，该片讲述了：　　Middle class stud ent Bob Le tellier ente rs a new world when he  meets Alain, a free-thinkin g rebel who, along w ith his gro up of y oung Par  isians, has op ted for a life of  inst ant gratificat ion instead of work and commit ment. At a part  y, Bob  meets a young woman, Mic, who ap  pears to be just as carefree and cynica l as Alain. Mic's only drea m is to  own a luxur y car, and with B  ob' ;s help, she m anages to fi nd the money  to but it. Mic's friend Clo discovers she is pregn ant and, not knowi ng who the fathe r is, she   asks Bob to   marry her. When they next meet at a party, Bob and Mic deny that they have any f eelings fo r on  e another - a declaration that soon  leads to trage dy...　　　　Marcel Car né is widel  y regarded as one of t he stand ard bearers of Fre  nch quality cinema of th e 1930s and 194 0s, responsible for suc h masterpieces as Quai des  brumes (1938) and Les Enfan  ts du Paradis (1 945).  How ironic then t  hat, in 1958, towards t he e  nd of his film-making  career, he should make a film which dare d to portray the att itude s and behav  iour of the 1950s yout h, in a way t hat effectively captures the mo od and sent iment of t  he time.　　 　　Le s Tricheurs was a hugel y cont roversial film, not least because of  its blatant depiction of ado lescent free-love, and was even ba nned in some regi ons of France. It also r eceived some intens ely unf avoura ble r eviews, m ost notab ly from t he y oung hotheads on the Cahiers du cinéma such as Fr  ançois Truffaut who ci ted this film as a prime exa mple of the decline of Fre nch cinema into mediocrity. In spite of all this n egative press, the film proved to be an astoni shing  commerci al success, at tracting  five million cinema  -goers,  and was awarded the Grand Prix du  Ciné ma français in 1958.　　　　Whilst Les  Tricheurs   is not  as flawless  as Carné's earlier masterpieces,  it is nonetheless a significant work, having the power to both  shock and move  its audience, whilst having great  ente rtainment valu e. It evo kes the mood   of its time  in a way that few French film s of  this  period d id, depicting young people as pleasur e-seekin g rebel s, rejecti ng the auste rity a nd discipline o f the  previous   generation whilst pursui ng a li fe without cares,  responsibilitie s or love . Similarities wi th James  Dean's films of t he 1950s (most n otab ly Rebel  without a Cause) are apparent, altho ugh Carné's tr eatment of young pe ople is far more abstract - in hi s film they merely symbolise a world t hat has lost i ts way, more or les s victims of pos  t-wa r prosperity.  Althoug h the  young people in L es Tricheurs lack the authe nticity to be totally credible, t he film does make an impor tant, and i  ndeed q uite  disturbing  point, about where the permissive society may be   heading.　　　　 Much o f the pleas ure of the  film i s in the performanc es from its  four lead  actors, Jacques Charrier, Pascale Pet it, Lauren t Terzieff and A ndréa  Parisy, although only Terzieff is really convincing in his role. Marcel  Car né originally considered Alain De lon and J ean-P aul Belmondo for the parts of  Bob and   Alain respectively, before opting for Charrier and Terzieff. As a cons olation, Carn é offered Belmondo a  smaller part in the  film - alas too sm all for the  actor to be noticed by the public. Bel mondo's breakthrough  had to wait  until the fo llowing  year wh en he starre d in Jean -Luc Godard&#  39;s revolut ionary A bout  de souffle, a film w hich offers a very different perspective  of the you  th gene ration .　　这一次，她直接从袖中暗袋里摸出一个  大型储物袋，“ 知道我要来见您，不 仅爷爷让我给您带了好些黄金谷做成的米饭 和各类点心 ，就是我师父师叔他们，都逼着宗 里的大师父，给您弄了好些好吃的，我 师姐采薇还把她弄的极品花茶给我了。”