《盲目的丈夫們》是由知名导演埃裏克·馮·施特羅海姆 执导的一部愛情片，薩姆·德·格拉斯 Francelia Billin 等倾情出演，该片讲述了：　　Two di fferences between th  is Austri  an version  and t he general ly avai lable Am erican versio n are immediate ly obvio us: they dif fer both in thei r leng th and in the la  nguage of the intertit les. The American version is only 1,883  metres l ong - at  18 frames per seco nd a dif ference of s ome 7 mi nutes to the Austrian vers  ion with 2,045 metres . Wh ereas we originally presumed only  a negligible difference, resulting from the varying le ngth of the int ertitles, a  dire ct comparison has nevertheless shown that   the Austrian ve  rsion d iffers from th  e Ame  rican vers ion both in the montage and i n the duration o f in dividual scenes. Yet how could it h appen that the later re gional distributi  on of a canonical US silent f ilm was  longer than the   "o riginal version&q  uot;? 　　 The  prevalent American version of Blind Hu sbands do es not correspond to the version shown at the premiere o f 1919. This little -known fact was alread y published  by Richard Koszarski in 19 83. The  film was re-released by Univers al Pictures in 1924, i  n a version that was 1,365 feet (416 metres) shorter. At 18 fram es per second, this a mounts to a time difference of 20 min utes! " Titles were altered,  snipp  ets of act ion removed and at least one ma jor s  cene taken ou t entire ly, where von Steuben and Margaret vi sit a small  local chapel." (K  oszarski)　　F rom the pres ent state of research we can assume th at all the  known American copies of the film derive from this sho rtened re-release  version, a copy of  which Universal donated to the Museum  of Modern  Art in 1941. Accord ing to Koszarski the o riginal negative of t he film was destroyed sometim e between 1956 and 1 961 and has there fore been irretrie vably lost. This information casts an interesting light on the Austrian version, which can be dated to the period be  tween t  he summer of 1921 and the winter of  1922. Furthermore, the copy is  some 20 0 met  res lon ger than the  US version of 1924. If one follows the  details given by R ichard K oszarski and Arthur Lennig , this means that,  as far  as both its date and its  length are  concerned, the A ustrian v  ersion lies alm ost exact ly in the middle between the (lost) version shown at t he premier e and t he re-release  d one.A large part of t he additional length of the film ca n be traced to cuts that were m ade to the 192 4 ver sion in al most every s  hot. K oszarski describes how  the beginning and the  end of scenes were  trimmed, in orde r to &quo t;speed up" the film. However, more exciting was  the discovery that the Austrian version conta ins s hots that are mi ssing in th e American one - sho ts/countersh ots,  intertitles  - and fu rthermore shows diff erences i  n its montage (i.e.  the placing of the individual shots within a sequence).  All this in dicates that Die Rache der B erge constitutes the oldest and most   completely   preserved material of  the film. 　　安画轻叹了一口气，“她在我的面前，从 来没有放开过，哪怕喝水，也小心翼翼地只沾个唇。她和夏正明确关系以来，表面上，纯阳宗是得了丹堂的一  些照应，但是，以 她和夏正 的关系，如果有心，元一百灵丹与骷髅蝗的 真正关系，我觉 得，完全可以弄来。  ”