四重奏

四重奏,四重奏 在线,四重奏 英文,四重奏 豆瓣,四重奏线上看,四重奏曲奇,四重奏 下载,四重奏netflix,四重奏电影,四重奏 双语字幕, 《四重奏》是由知名导演詹姆斯·伊沃裏 执导的一部愛情片，阿蘭·貝茨 瑪吉·史密斯 伊莎貝爾·阿佳妮 安東尼 等倾情出演，该片讲述了：　 　It has bee  n said that mos  t gr eat twentieth century novels incl ude sc enes in a hotel, a symptom  of the vast up  rooting that has occ urred in the last century: James  Ivory begi ns Quartet with  a montage of the hote ls of Mont parnasse,  a qu iet p   relude before ou  r introduct ion to the viole ntly lost souls who inhab it them.　　Ad apted fro  m the 1 928 auto biogr aphical nov el by Jean  Rhys, Qu  artet is th e story of a love qua drangle between a c omplicated young West Indian woman named Mar  ya (played by Isabelle Adjani), her h usband St efan (Antho ny Higgins), a man ipulative  English art p atron named Heidler (Alan Ba tes), and his painte r wife Lois (Maggi e Smi th). The film is set in t he Golden Age  of Paris, He mingwa y9;s ";moveable feast" of ca  fe culture and extravaga  nt nightlife, glitter and literat i: yet underneath is the outline  of s  omething  sini  ster be neath th e polishe d brasse  s and brasseries.　　When Marya 9;s husband is put in a Paris pri son on charges of sell ing stolen art works, she is left ind igent and is taken i n by  Heidler and his  wife: th  e predat ory Englishm an (who se charact er Rhys ba ses on the  nove list For d Madox Ford) is quick to take  advantage of  the new living arrang ement, and Marya finds herself in  a stranglehold between  husband and wife. Lo vers alternatel y gravitate toward and a re repelle d by each other , now professing  their love, now confessing t heir bru tal indiff  erenc e -- all the while keeping up appearances. The fil m explores the vast territory between th e " ;nice" and  the "good,"  between outward r  efinement  and inner   darkness: after one viole nt episode , Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're wo rried about?"  dema nds an  outraged Marya. " Yes," Lois replie s with icy candor, ";as a matter of f act."　　Adjani won th  e Best Actr ess award at Cannes for   her perfor mances in Quartet: her  Marya i s a volat ile compound of French schoolgirl and sco rned mistress,  veering between trem ulous j oy and hysterical outburst.  Smith s hines in one of her most memorable roles: she imbues  Lois with a Katherine-of-Aragon   impotent rage, as humi liated as she is powerless in the face of her h usba nd's ch oices. Her interactions wit h Bates are scenes from a marriage that has  moved  from disillusionment  to  pale  accepta  nce.　　Ruth Prawer Jhabv ala and James Ivory's screenplay use s Rhys9;s novel as a fo undat  ion from which it constructs  a world that is both true to the no vel and d istinctive in its own right, painting a soci ety that has lost its  inhibitions  and inadvertently los t its soul. We are taken to mirror ed cafes, then move through the looking  glass:   Marya, in one s cene, is o ffered a job as a model and then  finds herself in a  sadomaso chistic po  rnographer's  studio.  The fil m, as photographed by  Pierre  Lhom me,  creates tho roughl y cinematic momen ts that Rhy& #39;s novel could  not have a ttempted:  in one of t he I vory's most memorable scenes, a black American chan teuse (extraordinarily played by  Armelia McQu een) ent ertains Pa  risian p atrons with a big and brassy jazz song, neither su   btle nor elegant. Iv ory keeps the  camera on the sing er's act: there is something in he r unguarded sm ile that makes the danger beneat h Montparnasse m anne rs seem more acute.　　“我又给您装了两枚美人果，您不管是 自己用，还是卖，都是可以的。”说到这里，她顿了顿，笑着道：“老  祖，那个虎 坤龟的大龟壳实在太大了，我们没人 能弄开，所以 ……这活就交给您了，回头您弄好了，赏我一个趁 手的龟盾就行！