四重奏,四重奏 在线,四重奏 英文,四重奏 豆瓣,四重奏线上看,四重奏曲奇,四重奏 下载,四重奏netflix,四重奏电影,四重奏 双语字幕, 《四重奏 豆瓣》是由知名导演詹姆斯·伊沃裏 执导的一部愛情片，阿蘭·貝茨 瑪吉·史密斯 伊莎貝爾·阿佳妮 安東尼 等倾情出演，该片讲述了： It has been said that most great twentiet h century novels include scenes in a hotel , a symptom of the va st uprooting that h as occurre d in the las t cent ury: James Ivory be gins Quartet with a monta ge of the hotels of M ontparnasse , a quiet prelude before our intr oduction to the violently lost souls who inhabit them . Adapted from the 1928 autobiographical novel by Jean Rhys, Qua rtet is the story of a love quadrangle betwe en a com plicat ed youn g West In dian w oman named Marya (played by Isabelle Adjani), her husban d Stefan (An thony Higgin s), a manipulative English art patron named Heidler (Alan Ba tes) , an d his painter wife Loi s (Ma ggie Smith). The film is set in the Go lden A ge of Paris, H emingway' s ";moveable feast& quot; of cafe culture and extra vagant nightli fe, glitter and literati: yet underneath is the outline of so mething sinister ben eath the p olished brasses a nd brasseries. When Marya 9;s hus band is put in a Paris prison on charges of selling stolen art works, she is left indige nt a nd is taken in b y He idler and his wife: the predatory Engli shman (whose character Rhy s bases on the novelist Ford Madox Ford) is qui ck t o take advan tage of the new living arrangement, and Marya finds her self in a strangleh old between husb and and wife. Lo vers alternately gravitate toward and are repelled by each other, now professing their lov e, now confe ssing their bru tal indif ference -- all the while k eeping up appearances. The fi lm e xplores the vas t territory between the "nice" and the &qu ot;good," be tween ou tward re finement and inner dar kness: after one violent ep isode, Lois asks Marya not to speak of it to the Paris crow d. "Is t hat all yo u 9;re worried about?" deman ds an outraged Marya. " ;Yes," Lois repli es with icy candor, &quo t;as a matter of f act. " Adjani w on the Best Actre ss award at Cannes for her performances in Qu artet: her Marya is a vo latile compoun d of F rench sch oolg irl and sco rned mis tress, veering between tremulous joy and hyst erical outburst. Smith shines in one o f her most me morable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband 9;s choices. Her interactions with Bates are scen es from a mar riage that has moved from di sillusi onment to pale acceptance. Ruth Pra wer Jha bvala and James Ivor y' s screenpl ay uses Rhys 's novel as a foundation from whic h it constructs a world that is both true to the novel an d distinctive in its own right, painting a s ociet y that has lost its inhibitions and inadve rten tly lost i ts soul. We a re ta ken to mirro red c afes, then move thr ough the looking glass: Ma rya, in one sce ne, is offered a job as a model and then finds herself in a sadomasochistic p ornographer's s tudio. The film, as photographed by Pierre Lhomme , creates thoroughly cinemati c moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black Americ an chanteuse (extraordinarily played by Armelia M cQueen) entertains Par isian patron s with a big and brassy jazz s ong, neither subtle nor elegant. Ivory keeps th e camera on the singer's ac t: there i s something in her ungu arded smile that make s the danger beneath Montp arnasse manners se em mo re acute . 按规矩，两人每收一个人的好处，就要往外 掏点货，偏偏他们是一 个一个飞升的，总 不好意思把说过的消息，再 给他们来一遍，没办法下，待到文遥飞 升，人家又 给他们摆了一席，两人把 该说的都说了，只 能跟他们八卦纯阳宗宗主被 人伏杀的事
