四重奏线上看

四重奏,四重奏 在线,四重奏 英文,四重奏 豆瓣,四重奏线上看,四重奏曲奇,四重奏 下载,四重奏netflix,四重奏电影,四重奏 双语字幕, 《四重奏线上看》是由知名导演詹姆斯·伊沃裏 执导的一部愛情片，阿蘭·貝茨 瑪吉·史密斯 伊莎貝爾·阿佳妮 安東尼 等倾情出演，该片讲述了：　　It has  been said t hat most great tw entieth c entury novels include scenes in  a hotel , a symptom of the vast uprooting that has occ urred in the  last c entury : James  Ivory begins Qua rtet with a montage of the hotels of Mon tpar nasse, a quiet prelu de before   our introd uction to the vi olently lost so uls who   inhabit them.　　Ad apted from the 1 928 autobiographical novel  by Jean Rhys, Quartet   is the story of a  love quadrangle between a complic ated young West  Indian woman named Marya (played by Isabelle   Adjani), h er husband Stef an (An thony Higgins), a  manipulative English art p atron named Heidler (Alan Bates), and h is paint er wife Loi s (Mag gie S mith). T he film is s et in the  Golden Ag e of Paris, Hemi ngway';s " moveable feast" of cafe cultur e and  extravagant nightlife , glitter and li terati: yet u nderneath is the outline of s omet hing siniste r beneath th  e polished brasses and brasseries.　　 When   Marya';s husband  is put in a Paris pris on on  charges o f sell ing stolen art works, she is le  ft indigent and is tak en in by H eidler and his wife: the pred atory Eng lishman (whose character Rhys  bases on the  novelist F ord Ma dox Ford) is quick t o take adv antage of the new living arran gement, and Marya finds herself in   a stranglehold betwe en husband and wife . Lovers alternately gravitate to  ward and  are repelled  by each other, now profess  ing their love, now confes  sing their bru tal indiffere nce - - all the while keepin g up appearanc es. The film explores  the va st territory betwe en the " ;nice&qu ot; and the &qu ot;good,&quo t; betwee n ou tward refin emen t and inne r darkness: after one violent episode, Lois asks Marya not to speak of it to th e Pari s crowd. "Is   that all yo u're worried about? " demands an outr aged M  arya. "Yes, " Lois rep lies with ic y candor, &quo t;as a matter of fact.& quot;　　Adjani won  the  Best Actress award at Cannes  for her performances in Quartet : her Marya is a volatile com pound of French scho   olgir l and scor ned mistress  , veering between   tremulo us j  oy and hysterical outburst. Smith shines in one of her most memorab le rol  es: she imbues Lois with a K  atherine-of-Aragon impoten t rage, as humiliated as s he is pow erless in the face of h er husban d' ;s choices. Her interactions with Ba tes are sc enes from a marri age that has moved from disillusionment to pale  acceptance.　　Ruth Prawer Jhabvala and James I vory's screenplay uses Rhys's n ovel as a foundation from which it con  structs a  worl  d that is  both true to the novel and di stinc tive in   its own right, pain ting a societ y that has l ost its inh ibitions and inadvertently lost its soul. We are take n to mirrored ca fes, then move th roug h the l ooking g lass: Ma rya, in one scene  , is of fered a job as a  mode l and then finds herself in a sadomas ochistic  pornographer's  studio. The  film , as photographe d by Pierre Lh omme, creates thoroug  hly cinemat ic moments that Rh y' ;s novel could not  have attemp  ted: i n on e of the Ivory's most memorable sc enes , a b lack American chanteuse (  extrao rdinarily played by Arm elia McQueen) entertains Parisia  n patrons with a big and b rassy jazz song, neith er subtle nor elegant. Ivory k eeps the camera on the singer9;s act: there is something in her unguarded  smile tha  t ma kes the danger bene ath  Montparnasse manners seem more acute.　　好半晌 ，他才放下玉简抬头 看向陆灵蹊，“有这事。”他站起来，走向另一边的玉架，从上面拿了一枚蓝玉制成的玉佩，“当初主人觉得，佐蒙人不会放过  天渊七界飞升的一切 生灵，但是人 族寿元就那么多，人心复杂，他 没办法因势力导，但是妖族却可以。”