四重奏netflix

四重奏,四重奏 在线,四重奏 英文,四重奏 豆瓣,四重奏线上看,四重奏曲奇,四重奏 下载,四重奏netflix,四重奏电影,四重奏 双语字幕, 《四重奏netflix》是由知名导演詹姆斯·伊沃裏 执导的一部愛情片，阿蘭·貝茨 瑪吉·史密斯 伊莎貝爾·阿佳妮 安東尼 等倾情出演，该片讲述了：　　It has  been sai d that most great twen  tieth century novels include scene s in a hotel, a symptom of the va st uprooting  that has oc curred in the last c entury: James Iv ory begins Quartet wi th a  montage of the hotels of Montparnasse, a   quiet p relude before o ur introduction to the  violently l ost s ouls who inhabit them.　　 Adapted from the 1928 auto  biog raphical novel by Je an Rhys, Qua rtet is t he story of a love quadrangle between a compl icated young W est  Indian w  oman named Marya (played by Isabelle Adjani), h er husband Stefan (Anthony  Higgins  ), a manipu lative  English art patron named He idler (Alan Bates) , and his p ainter wife Lois (Maggie Smith). The film i s set  in the Golden Ag e of Paris, Hemingway& #39;s &qu ot;movea ble feast" of c afe culture and extravagant night life, glitter and literati: yet underneath is  the outline of somethi ng sinister beneath the polished brasses and brasserie s.　　When  Marya 's husband is put in a  Paris  prison on  charges o  f selling sto len art works, she is left i ndigent and is taken in  by Heidler and his  wife: the predatory English man (w hose character Rhys bases on t  he nov elist Ford  Madox Ford) is quick to take advantag  e of the new living arrangement, and Marya finds herself in a stra ngle  hold betwee  n husband and wife. Love rs alternately gra vitate toward and are repel led by each  other, now professing thei r love, now  confe ssing their brutal  indifference -- all the w hile keeping up appearances. The film explores  the vast territory be tween the "nice" and the "good," bet ween outwa rd refin ement and inner darkness:  after one violent episode, Lois asks Marya not to speak of it t o the Paris  crowd. "Is that all y ou'r e worried about?" dema nds an outraged Marya. " Yes,"  Lois replie s with icy candor, &  quot;as  a matter of fact.";　　Adjani  won the  Best Actress  award  at Ca  nnes for her performan ces i n Quar tet: her Marya is  a vol atile compoun d of F rench schoo lgirl and scorned mistress, veering between tremulous joy and h ysterical  outburst. Smith shines in one of her most memo rable roles: she  imbues Lo is with a Katherine-  of-Arago n impotent rage,  as hum iliated as s  he is power  less in th e face of her h usba nd';s ch  oices.  Her interac tions with Bat es are scenes fr  om a marri age t hat has move d from disil lusionment to pale a  ccep tance. 　　Ruth Prawer Jhabvala and James Ivory's scree nplay uses  Rhys  9;s novel  as a f oundation fr om which  it cons tructs a world that is bot h true to the novel a nd distinctive  in its own right, paint  ing a society that h as lost its  inhibitions  and inadvertently lost its soul. We are t aken to mir rored cafes, then move  through the l ooking g lass: Ma rya,  in o ne scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's  studio. The  film  , as photographed by Pi erre Lho mme, creates  thoroughly cinematic mom ents that Rhy& #39;s nov el could no t have attempted: in one of the Ivory' ;s most memo rable scenes, a  black American chante use (extraord inarily played by Arm elia McQueen)  entertains Parisian patrons with a big and brassy   jazz song,  neithe r subtle nor  elegant . Ivory keeps the camera on the singer& #39;s act:  there   is something i n her unguarded smile that makes the danger beneath Mo  ntparnasse manners seem more  acute.　　她朝两边的贵宾席和下面的看台，团团一  揖，“佐蒙人是 肯定要杀我的，他们善 用渗透之法，所以，林 蹊在此恳请诸位前辈  ，诸位道友，看在我也算为仙界立过一点功劳的份 上，一起监督一下，在我未晋天仙之前，不要让任何人，以任何理由，打断我在 刑堂的工作。